1 00:00:02,499 --> 00:00:07,260 Now love has bound me, trembling hands and feet. 2 00:00:07,560 --> 00:00:11,620 Oh, love so fatal, love so bitter. 3 00:00:13,100 --> 00:00:13,940 Her 4 00:00:13,940 --> 00:00:25,040 name 5 00:00:25,040 --> 00:00:28,840 is Jennifer Bradley, age 24. 6 00:00:31,270 --> 00:00:32,549 occupation, photographer. 7 00:00:34,690 --> 00:00:40,030 She is an only child and comes from a small town 70 miles to the north of San 8 00:00:40,030 --> 00:00:41,030 Francisco. 9 00:00:42,490 --> 00:00:47,450 In many ways, Jennifer is like thousands of other modern young women. 10 00:00:47,910 --> 00:00:51,310 But in one important way, she is quite different. 11 00:01:06,290 --> 00:01:09,950 Jennifer has never had a satisfactory relationship with a man. 12 00:01:10,710 --> 00:01:15,910 As a result of this void in her life, she has devoted herself entirely to her 13 00:01:15,910 --> 00:01:18,490 work and achieved a fair amount of success. 14 00:01:19,710 --> 00:01:21,330 Photography is work she enjoys. 15 00:02:13,360 --> 00:02:14,360 Bye -bye. 16 00:02:48,840 --> 00:02:54,380 She finds her work stimulating, but occasionally recognizes that she does 17 00:02:54,380 --> 00:02:55,580 something in her life. 18 00:02:56,520 --> 00:03:01,220 At times such as these, Jennifer makes an effort to be normal. 19 00:03:02,020 --> 00:03:05,200 Normal. But indeed, what is normal? 20 00:03:06,000 --> 00:03:08,020 Jennifer can only guess. 21 00:04:15,980 --> 00:04:20,540 In contrast to Jennifer, Belinda is a girl who never craves what is normal. 22 00:04:21,200 --> 00:04:26,840 An examination of her background would suggest the beginnings of assortedness 23 00:04:26,840 --> 00:04:29,540 which now fills her present life. 24 00:04:30,820 --> 00:04:35,880 She is a complete wanton who makes no attempt whatsoever to control her 25 00:04:36,780 --> 00:04:40,820 Her depravity has led her into a dark and rank alley. 26 00:04:41,920 --> 00:04:44,260 Belinda is not a happy person. 27 00:04:45,480 --> 00:04:49,800 She is one who exists from thrill to thrill. 28 00:07:23,450 --> 00:07:27,430 Belinda is a photo model, a sort which poses for the center's spread. 29 00:07:28,650 --> 00:07:33,850 She is a lazy girl, and when she is unable to find a man or a woman to 30 00:07:33,850 --> 00:07:36,290 her, she makes her living as a model. 31 00:07:37,550 --> 00:07:40,290 Belinda is a strange sort of exhibitionist. 32 00:08:52,650 --> 00:08:57,790 Belinda and Jennifer had never met before they were immediately attracted 33 00:08:57,790 --> 00:08:58,790 another 34 00:09:57,640 --> 00:09:58,640 No. 35 00:11:05,000 --> 00:11:09,520 Jennifer had booked the number of female models, but none had had the same 36 00:11:09,520 --> 00:11:11,740 strange effect on her that Belinda called. 37 00:11:12,960 --> 00:11:18,380 Belinda was all sensuality, playfully sexy, wild, female. 38 00:11:45,810 --> 00:11:50,670 Jennifer meant to hide her desires by busying herself with her work at hand. 39 00:11:51,470 --> 00:11:54,770 But it was very evident to her that she never felt this way before. 40 00:11:55,650 --> 00:11:59,970 She was aflame and pleased and distressed at the same time. 41 00:12:01,210 --> 00:12:05,150 She knew she could not resist this strange sensuality. 42 00:14:09,930 --> 00:14:11,930 Jennifer's night of ecstasy had ended. 43 00:14:12,690 --> 00:14:17,410 She was led into the strange bound of sex by the officiant Belinda. 44 00:14:19,030 --> 00:14:22,270 But morning brought with it the cold, harsh light of reality. 45 00:14:23,490 --> 00:14:26,910 To Jennifer's surprise, it was not unpleasant to face it. 46 00:14:50,700 --> 00:14:53,220 That morning she found she was anxious to be done with the work. 47 00:14:54,080 --> 00:14:55,940 She wanted to be with Belinda. 48 00:14:57,060 --> 00:14:59,640 The work took her to many unusual places. 49 00:15:00,580 --> 00:15:03,840 But today everything was more vivid, more exciting. 50 00:16:29,680 --> 00:16:34,280 He was almost through with her silence, all through the days he had taught about 51 00:16:34,280 --> 00:16:35,280 Belinda. 52 00:17:07,280 --> 00:17:08,740 Belinda was pleased with herself. 53 00:17:09,599 --> 00:17:11,760 She had found someone who cared for her. 54 00:17:12,819 --> 00:17:15,760 This was not the first time anyone had taken care of her. 55 00:17:16,380 --> 00:17:19,300 Indeed, Belinda coveted the role of kept woman. 56 00:17:19,839 --> 00:17:21,700 It meant she no longer had to work. 57 00:17:22,760 --> 00:17:25,160 This time she was sure she had some real security. 58 00:17:26,119 --> 00:17:30,200 If Jennifer earned a good living, Belinda liked him. 59 00:18:25,960 --> 00:18:29,600 They were on their way to see a show of special thought that wouldn't be viewed 60 00:18:29,600 --> 00:18:30,600 by the average person. 61 00:18:31,880 --> 00:18:36,620 Jennifer and Belinda were both very happy for entirely different reasons. 62 00:18:37,080 --> 00:18:40,840 But nevertheless, their high spirits were ambivalent. 63 00:19:13,900 --> 00:19:16,300 The club was located on a dark side street. 64 00:19:17,080 --> 00:19:19,080 It was a place for girls only. 65 00:19:19,900 --> 00:19:24,800 Its clientele included the freakish sort of exhibitionists, as well as girls 66 00:19:24,800 --> 00:19:26,140 like Belinda and Jennifer. 67 00:19:27,340 --> 00:19:32,200 As different as they were in appearance, they all had one thing in common, and 68 00:19:32,200 --> 00:19:33,820 that was their craving for desire. 69 00:19:35,000 --> 00:19:40,820 It was a new world for Jennifer, but for the depraved Belinda, the surroundings 70 00:19:40,820 --> 00:19:41,840 and the entertainment. 71 00:19:42,540 --> 00:19:43,960 We're all too familiar. 72 00:21:40,770 --> 00:21:45,650 deserved. Naturally the whole thing was meant as a rather voluptuous joke and no 73 00:21:45,650 --> 00:21:46,710 one was meant to get hurt. 74 00:21:48,110 --> 00:21:49,950 It was a lively sort of fun. 75 00:23:50,990 --> 00:23:53,350 and more humorous, or perhaps ludicrous. 76 00:23:53,870 --> 00:23:55,690 It was bizarre and prominent. 77 00:23:57,010 --> 00:24:00,370 Belinda grew more and more stimulated by what they were watching. 78 00:26:30,830 --> 00:26:33,210 made certain pointed remarks about the act. 79 00:26:33,810 --> 00:26:38,950 She apparently enjoyed such an exhibition and its effect on her was 80 00:26:39,610 --> 00:26:42,130 She was growing very amorous. 81 00:27:36,780 --> 00:27:38,700 Jennifer no longer felt ill at ease. 82 00:27:39,260 --> 00:27:45,540 She felt as though she belonged among such people, since they and she were 83 00:27:45,540 --> 00:27:46,540 alike. 84 00:29:46,600 --> 00:29:49,180 Jennifer decided to leave the city for the weekend. 85 00:29:49,780 --> 00:29:52,600 It would be the first trip she had taken with Belinda. 86 00:29:53,800 --> 00:29:57,600 Jennifer had arranged to use a friend's cabin in the mountains for the love 87 00:29:57,600 --> 00:29:58,600 triumph. 88 00:29:59,320 --> 00:30:03,840 And they were so delighted to be away from the noise of the city, they were 89 00:30:03,840 --> 00:30:04,840 exuberant. 90 00:30:31,950 --> 00:30:34,890 They both were relaxed in these pleasant surroundings. 91 00:30:36,230 --> 00:30:40,290 This tranquility foreshadowed the tragedy that would overtake their lives. 92 00:30:41,030 --> 00:30:45,690 But on such a fine spring morning, neither girl thought of anything 93 00:30:46,570 --> 00:30:49,790 Life was a happy game when you had a companion you cared about. 94 00:30:50,250 --> 00:30:54,650 It was good to be alive, to be young and filled with desire. 95 00:32:19,240 --> 00:32:21,640 Indeed, Belinda was a strange girl. 96 00:32:22,460 --> 00:32:25,200 Her desires were even more strange. 97 00:32:26,400 --> 00:32:28,320 Jennifer could refuse her nothing. 98 00:32:28,900 --> 00:32:33,980 She participated with a strange sense of curiosity mingled with desire. 99 00:32:35,180 --> 00:32:38,520 She would allow Belinda anything that made her happy. 100 00:32:38,840 --> 00:32:42,680 And in truth, Belinda's four bows were harmless enough. 101 00:32:43,420 --> 00:32:48,520 But even such reasoning could not completely subdue the sense of distaste. 102 00:32:49,200 --> 00:32:50,940 Jennifer felt deep down. 103 00:32:52,040 --> 00:32:56,620 She could not help but feel shame, even though she hid it very carefully. 104 00:32:57,360 --> 00:33:03,060 She knew this relationship was wrong, and it was this knowledge that blackened 105 00:33:03,060 --> 00:33:04,060 her waiting moments. 106 00:33:05,600 --> 00:33:08,540 It was the physical which bound her to Belinda. 107 00:33:09,920 --> 00:33:14,160 Emotionally, she was possibly sickened by the behavior of this board. 108 00:33:50,510 --> 00:33:53,250 Thank you. 109 00:36:15,630 --> 00:36:17,910 a skilled practitioner of sapphic love. 110 00:36:18,870 --> 00:36:20,950 Jennifer was carried to a fever pitch. 111 00:36:21,610 --> 00:36:27,850 A strange, distasteful love aroused in her a sense of completeness as though it 112 00:36:27,850 --> 00:36:31,290 were meant to be, as though she were born for this. 113 00:36:32,350 --> 00:36:37,190 Such moments her physical reactions overcame the warnings of her conscience. 114 00:36:37,910 --> 00:36:40,510 She lost all sense of decency. 115 00:38:40,780 --> 00:38:43,880 Another girl had known the ecstasy Belinda had to offer. 116 00:38:44,340 --> 00:38:45,960 She was called Jolly. 117 00:38:47,060 --> 00:38:48,660 Jolly had kept Belinda. 118 00:38:49,020 --> 00:38:52,420 They had been rather happy until Jolly's money had run out. 119 00:38:53,120 --> 00:38:54,120 Belinda left. 120 00:38:54,760 --> 00:38:56,240 Jolly was crazed. 121 00:38:56,760 --> 00:39:01,500 She could find no one to interest her. She frequented the same gay bars. 122 00:39:01,900 --> 00:39:04,000 But nothing distracted Jolly. 123 00:39:04,320 --> 00:39:06,360 The acts were no longer entertaining. 124 00:39:06,820 --> 00:39:08,720 She watched without seeing. 125 00:43:06,380 --> 00:43:11,480 It was in the strange world of forbidden offbeat love that Jolly tried to 126 00:43:11,480 --> 00:43:12,480 recover herself. 127 00:43:12,900 --> 00:43:16,540 But the voice she heard inside allowed no return from misery. 128 00:43:17,380 --> 00:43:23,120 The strange, saccharine world of the bazaar, with its flashing lights and 129 00:43:23,120 --> 00:43:25,840 flashing sexes, was a sack. 130 00:43:27,640 --> 00:43:29,360 Jolly drank and watched. 131 00:43:30,560 --> 00:43:34,080 Later, Jolly would act out her role in a saccharine tragedy. 132 00:43:35,210 --> 00:43:36,210 Thank you. 133 00:45:11,850 --> 00:45:12,990 was young and lovely. 134 00:45:13,730 --> 00:45:17,750 Jolly noted the fact that these days more and more young girls were throwing 135 00:45:17,750 --> 00:45:21,670 their lives away by entering the sickening twilight world. 136 00:45:22,490 --> 00:45:28,090 The girl's voluptuousness was wasted on Jolly. She craved no one but Belinda. 137 00:45:28,970 --> 00:45:33,770 Belinda, a wanton bitch whom she loved and so hated. 138 00:46:53,680 --> 00:46:58,040 The girl Jolly was watching was younger and far more desirable than Belinda. 139 00:46:58,580 --> 00:47:01,780 Yet nothing could make Jolly forget Belinda. 140 00:48:55,150 --> 00:48:57,930 Jolly was at last drunk enough to do what she planned. 141 00:48:58,190 --> 00:49:01,650 It was crazy, but Jolly was beyond amazing. 142 00:49:32,910 --> 00:49:37,990 She found out about her rival, Jolly now nothing more than a pathetic, crazed 143 00:49:37,990 --> 00:49:40,230 animal, confronted Jennifer. 144 00:49:41,250 --> 00:49:46,990 She grew more and more hysterical, as she called Jennifer a whore, a wanton 145 00:49:46,990 --> 00:49:47,990 bitch. 146 00:50:34,000 --> 00:50:35,700 She had not meant for this to happen. 147 00:50:36,140 --> 00:50:37,300 Perhaps she had. 148 00:50:38,240 --> 00:50:39,240 No matter. 149 00:50:39,460 --> 00:50:41,100 The result was the same. 150 00:50:41,980 --> 00:50:43,160 She was none. 151 00:50:43,640 --> 00:50:46,340 And no longer cared what became of her. 152 00:50:52,080 --> 00:50:55,720 Thou shalt thou lie forever and forgotten. 153 00:50:56,380 --> 00:50:59,540 For whom the flowers of song have never bloomed. 154 00:51:12,360 --> 00:51:13,360 What are you reading? 155 00:51:13,740 --> 00:51:15,000 A book about love. 156 00:51:16,120 --> 00:51:17,120 What's that all about? 157 00:51:17,860 --> 00:51:20,220 It's just about two chicks making it together. 158 00:51:20,680 --> 00:51:22,940 I don't believe in half of those things anyway. 159 00:51:23,200 --> 00:51:24,200 They're sick. 160 00:51:24,800 --> 00:51:26,160 Sick lesbian love. 161 00:51:28,320 --> 00:51:30,700 Well, I don't know about that. 162 00:51:32,020 --> 00:51:33,260 It's love. 163 00:51:33,620 --> 00:51:36,060 I've had some good experiences with love. 164 00:51:36,260 --> 00:51:37,940 Men and their love, mainly, though. 165 00:51:39,560 --> 00:51:42,200 They're not so bad. I've had a couple good ones. 166 00:51:42,900 --> 00:51:46,600 The first love I had was pretty good. It spoiled me rotten. 167 00:51:47,080 --> 00:51:48,640 Served me breakfast and bed. 168 00:51:49,180 --> 00:51:50,920 Did all kinds of nice things. 169 00:51:51,180 --> 00:51:54,040 But as usually, goofed up at the end. They all do. 170 00:51:55,360 --> 00:51:57,380 Yeah, I had one that was really great. 171 00:51:58,700 --> 00:52:00,800 We lived together for two weeks. 172 00:52:01,140 --> 00:52:03,420 Two of the most wonderful weeks of my life. 173 00:52:03,640 --> 00:52:04,920 Yeah. Well, 174 00:52:06,220 --> 00:52:07,360 it was to me. 175 00:52:08,360 --> 00:52:14,520 served me breakfast in bed as well, took me out to the nicer places, treated me 176 00:52:14,520 --> 00:52:17,320 gentle, was considerate of me. Mm -hmm. 177 00:52:18,840 --> 00:52:20,480 He seemed to know what happened. 178 00:52:21,620 --> 00:52:25,600 It's a typical story. Everybody knows it. You know, the second he got that 179 00:52:25,600 --> 00:52:28,320 marriage license in his hand, he was like, typical. 180 00:52:28,820 --> 00:52:30,140 Right. He owes me. 181 00:52:31,400 --> 00:52:34,320 Yeah, right. They ask you to do everything for them. 182 00:52:34,840 --> 00:52:38,320 Afterwards, right? They won't do anything for you, but before that, 183 00:52:38,560 --> 00:52:40,140 Breakfast in bed and everything. 184 00:52:40,420 --> 00:52:41,420 Wow. 185 00:52:42,600 --> 00:52:49,520 You know, it's funny, too. I can name almost, well, just about every kind of 186 00:52:49,520 --> 00:52:53,560 experience that I've had, and yet almost every one of them is identical with the 187 00:52:53,560 --> 00:52:54,720 bad things I've had with men. 188 00:52:55,120 --> 00:52:57,980 Like, for instance, well, the thing in bed. 189 00:52:58,580 --> 00:53:04,820 You go with a guy, and he's like... He wants to please you, he doesn't, you 190 00:53:04,820 --> 00:53:09,300 know, stop until you're satisfied, and this, that, and the other. 191 00:53:09,980 --> 00:53:14,020 And then all of a sudden, when he's got you, and he feels like you're deeply in 192 00:53:14,020 --> 00:53:18,600 love with him, he starts in with the unshaven beard. 193 00:53:19,000 --> 00:53:21,200 Mmm, I love that. 194 00:53:21,880 --> 00:53:26,520 And sweating on top of you and never using deodorants. 195 00:53:27,720 --> 00:53:30,580 And hurting you, and he doesn't really care because he's... 196 00:53:30,780 --> 00:53:33,660 So full of his own damn passion, he's turned to an animal. 197 00:53:34,700 --> 00:53:36,240 Women are so much cleaner. 198 00:53:36,520 --> 00:53:39,740 Really. Like men are like pigs sometimes. Wow. 199 00:53:40,120 --> 00:53:42,540 Well, a woman has to be for the kind of love she has. 200 00:53:43,140 --> 00:53:44,140 That's true. 201 00:53:44,760 --> 00:53:46,440 Maybe that's why I prefer women. 202 00:53:47,280 --> 00:53:50,320 Well, I think we're a little softer and a little gentler. 203 00:53:51,160 --> 00:53:55,180 We appreciate each other's bodies more. I don't think there's anything prettier 204 00:53:55,180 --> 00:53:56,180 than a woman's body. 205 00:53:56,460 --> 00:53:59,560 Not only that, but the sex thing lasts much longer. 206 00:54:00,140 --> 00:54:01,098 Oh, really? 207 00:54:01,100 --> 00:54:03,460 And it's not right afterwards. 208 00:54:05,860 --> 00:54:06,860 Right? 209 00:54:08,040 --> 00:54:09,140 Right, right. 210 00:54:09,600 --> 00:54:14,960 I can't stand that. You know, like you're ready for fondling and kissing. 211 00:54:16,420 --> 00:54:18,660 Gentleness. Right, right. 212 00:54:18,920 --> 00:54:24,940 Rather than hurry up and off he is and that's it. Like I'm satisfied and to 213 00:54:24,940 --> 00:54:25,940 with you, right? 214 00:54:27,440 --> 00:54:28,880 Oh, well, Jen. 215 00:54:30,120 --> 00:54:32,620 I wish people understood it more. 216 00:54:32,940 --> 00:54:36,060 It's a shame that we're not accepted by the public. It really is. 217 00:54:36,840 --> 00:54:41,520 Well, each individualist, I think, is that way. 218 00:54:42,160 --> 00:54:45,900 You know, these stupid books they write on us, honest to God, the illustrations 219 00:54:45,900 --> 00:54:46,900 are terrific. 220 00:54:47,580 --> 00:54:49,920 The pictures are beautiful. 221 00:54:50,420 --> 00:54:52,560 You know, the positions, the whole thing. 222 00:54:53,870 --> 00:54:59,090 But the language they use and the things they describe is just not true. It's 223 00:54:59,090 --> 00:55:00,170 not like us at all. 224 00:55:00,390 --> 00:55:02,050 Yeah, but I sure like those positions. 225 00:55:02,350 --> 00:55:03,450 Yeah, aren't they beautiful? 226 00:55:03,790 --> 00:55:05,630 They really turn you on. 227 00:55:06,690 --> 00:55:07,690 Look at this one. 228 00:55:10,510 --> 00:55:13,590 I bet I could do as well. 229 00:55:13,830 --> 00:55:15,790 I don't know. I don't think we've tried that one. 230 00:55:18,850 --> 00:55:19,850 Hello? 231 00:55:20,190 --> 00:55:21,630 Hi, Jen. How are you? 232 00:55:22,980 --> 00:55:23,980 Fine. 233 00:55:25,880 --> 00:55:26,880 What? 234 00:55:27,980 --> 00:55:29,220 I'd love to go. 235 00:55:30,120 --> 00:55:31,120 Sure. 236 00:55:31,820 --> 00:55:33,200 Well, where will I meet you? 237 00:55:35,060 --> 00:55:39,740 Oh, I can hardly wait to see you. I really miss you. 238 00:55:41,440 --> 00:55:43,160 It should be a beautiful place. 239 00:55:45,080 --> 00:55:46,080 Yeah? 240 00:55:48,100 --> 00:55:49,100 Of course. 241 00:55:49,460 --> 00:55:50,460 Yes. 242 00:55:52,330 --> 00:55:53,330 I love you. 243 00:55:55,270 --> 00:55:56,930 I love you with all my heart. 244 00:55:59,930 --> 00:56:02,790 I can give you a thousand reasons why I love you. 245 00:56:04,430 --> 00:56:07,970 They're not all coming out of my mouth. They're in my heart. 246 00:56:11,350 --> 00:56:13,030 Because I like to kiss you. 247 00:56:14,730 --> 00:56:16,510 Kiss your body and your breasts. 248 00:56:18,070 --> 00:56:21,250 Your nice, firm, well -developed breasts. 249 00:56:23,180 --> 00:56:26,200 Feel the nipple come up on end from your passion. 250 00:56:28,000 --> 00:56:29,100 Kiss your thighs. 251 00:56:32,760 --> 00:56:34,300 I love you very much. 252 00:56:39,720 --> 00:56:41,680 Yes, we do. We have a lot together. 253 00:56:43,120 --> 00:56:44,360 We have each other. 254 00:56:47,000 --> 00:56:48,820 It means a lot to me, too. 255 00:56:56,110 --> 00:56:59,110 No. No, I don't think I could ever find anyone else. 256 00:57:00,330 --> 00:57:03,630 You're all that this world means to me. 257 00:57:09,130 --> 00:57:13,030 Well, thank you. 258 00:57:18,950 --> 00:57:20,730 Oh, don't talk like that. 259 00:57:31,820 --> 00:57:32,820 in my studio. 260 00:57:34,160 --> 00:57:35,460 This is a very nice place. 261 00:57:36,020 --> 00:57:37,020 Yeah, I like it. 262 00:57:37,360 --> 00:57:39,360 You take a lot of pictures of your friends in here? 263 00:57:40,860 --> 00:57:41,860 Mostly friends. 264 00:57:41,900 --> 00:57:43,280 Like you're going to take pictures of me, huh? 265 00:57:44,420 --> 00:57:45,420 Yeah. 266 00:57:46,160 --> 00:57:47,500 How often do you take pictures? 267 00:57:48,740 --> 00:57:50,560 Constantly, but I don't always do them in here. 268 00:57:51,060 --> 00:57:52,060 Yeah? 269 00:57:53,880 --> 00:57:56,220 You know, I've never had anyone ever take pictures of me. 270 00:57:57,340 --> 00:58:00,200 Something you don't often do. I mean, you never know who's around or who's 271 00:58:00,200 --> 00:58:00,879 to see you. 272 00:58:00,880 --> 00:58:02,580 There's nobody up here but us. 273 00:58:02,780 --> 00:58:04,000 Well, who's going to listen to you? 274 00:58:04,240 --> 00:58:05,280 You got any bugs in here? 275 00:58:06,220 --> 00:58:10,020 Hang on. I wouldn't have brought you up here if I had bugs in my place. Come on. 276 00:58:11,000 --> 00:58:13,100 This is an undercover place, you know. 277 00:58:15,520 --> 00:58:18,780 Where are you? You're, you know, you're supposed to be taking pictures. 278 00:58:19,160 --> 00:58:20,900 Well, I mean... 279 00:58:21,490 --> 00:58:24,150 How do I know you're really going to take my picture? How do I know you're 280 00:58:24,150 --> 00:58:27,170 going to do something else like you're going to mail my name into some 281 00:58:27,170 --> 00:58:32,430 authorities and say that I, you know, that I don't wear the right clothes or I 282 00:58:32,430 --> 00:58:36,670 sometimes talk with a lot of uhs or something? 283 00:58:36,930 --> 00:58:38,690 I mean, how do I know you're really straight with me? 284 00:58:39,130 --> 00:58:40,190 I'll give you the pictures. 285 00:58:42,790 --> 00:58:43,890 Is that fair enough? 286 00:58:44,230 --> 00:58:46,230 Sure. Okay, stand over there. 287 00:58:47,250 --> 00:58:48,310 Let me set up the lights. 288 00:58:49,880 --> 00:58:51,000 Hey, I like you. 289 00:58:51,400 --> 00:58:52,400 I like you. 290 00:58:55,220 --> 00:58:58,480 Why don't you sit down right there where the pillows are? 291 00:58:59,640 --> 00:59:00,820 You think I'll take your head? 292 00:59:01,300 --> 00:59:02,680 Yes. Okay. 293 00:59:03,940 --> 00:59:04,940 The pillows? 294 00:59:06,040 --> 00:59:11,960 How's that? Can I throw the silly ball away? I mean, you really don't need 295 00:59:12,020 --> 00:59:13,020 do you? Throw it to me. 296 00:59:20,880 --> 00:59:23,600 like the way you're posing. Haven't you ever posed before for a photographer? 297 00:59:24,000 --> 00:59:25,000 How about this? 298 00:59:25,080 --> 00:59:26,460 That's nice. Yeah, I like that. 299 00:59:30,080 --> 00:59:36,640 What do you do with pillows and 300 00:59:36,640 --> 00:59:38,140 balls and things like that? 301 00:59:42,000 --> 00:59:46,580 I see what you photographers do all the time. You throw pillows at each other. 302 00:59:47,520 --> 00:59:49,540 Hey, hey, I've got a good dog. 303 00:59:49,850 --> 00:59:53,110 I've got a better idea. Why don't you take your shirt off, you know, and let 304 00:59:53,110 --> 00:59:56,270 have the ball and be casual, you know, like I want casual pictures. 305 00:59:57,070 --> 00:59:58,650 You want to take my shirt off? Yeah. 306 01:00:03,750 --> 01:00:10,470 What? What do you want me to take my shirt off for? Hey, none of that. I just 307 01:00:10,470 --> 01:00:11,470 want to take pictures. 308 01:00:24,970 --> 01:00:26,310 Do you think maybe I can take one of your pictures? 309 01:00:27,730 --> 01:00:28,730 Huh? 310 01:00:33,450 --> 01:00:35,470 Would you like the camera to take a picture of me? 311 01:00:36,250 --> 01:00:37,710 Yeah, why don't you take your shit off? 312 01:00:39,330 --> 01:00:42,550 Well, what do you think? I invited you up here. Well, why did you invite me up 313 01:00:42,550 --> 01:00:43,550 here, huh? 314 01:00:43,690 --> 01:00:46,650 Look at you. You chicks think you can walk down the street and take off anyone 315 01:00:46,650 --> 01:00:49,630 you want and just bring them up to your place and have them take off your 316 01:00:49,630 --> 01:00:53,470 clothes and you don't even take off... You're all the same thing. Every time I 317 01:00:53,470 --> 01:00:56,110 bring someone up here, they want to rape me. What the hell is it with you 318 01:00:56,110 --> 01:00:58,910 people? Take off your clothes and let me see you. Take off my clothes. You're 319 01:00:58,910 --> 01:00:59,769 the photographer. 320 01:00:59,770 --> 01:01:03,570 Now let me see you. If you want to take a picture of me, you've got to take off 321 01:01:03,570 --> 01:01:07,210 your clothes, and that's how you take a picture of me. All right, but stand over 322 01:01:07,210 --> 01:01:08,710 there while I take the picture, you know? 323 01:01:12,210 --> 01:01:13,650 I don't know. Who are you? 324 01:01:14,850 --> 01:01:17,170 I'm a photographer. Who the hell do you think I am? 325 01:01:20,519 --> 01:01:22,740 I've never brought anyone up here like you. 326 01:01:24,240 --> 01:01:27,120 Yeah? Are you afraid of me or something? No, but what do you think of me? 327 01:01:27,460 --> 01:01:28,460 I mean, 328 01:01:29,440 --> 01:01:33,120 just exactly who are you? I mean, you bring me here and you tell me to take 329 01:01:33,120 --> 01:01:34,500 my clothes. Do you want me to take off my pants too? 330 01:01:34,820 --> 01:01:36,320 No. Do you want me to take off my pants? 331 01:01:36,780 --> 01:01:39,840 Put your pants back on. Please, don't take your pants off. 332 01:01:40,800 --> 01:01:41,800 Well. 333 01:02:10,960 --> 01:02:12,820 Hi, Carol. Put it on, will you please? 334 01:02:14,200 --> 01:02:17,760 Carol? Yeah, I was just calling to confirm the appointment for this 335 01:02:18,540 --> 01:02:19,640 Who are you going to send over? 336 01:02:21,280 --> 01:02:22,280 Belinda? 337 01:02:22,920 --> 01:02:25,380 No, I've never heard of a Belinda Frazier. Is she any good? 338 01:02:26,560 --> 01:02:29,040 Yeah, well, she better be. Better than the last one you sent over. 339 01:02:29,940 --> 01:02:31,380 Yeah, for 3 o 'clock. 340 01:02:32,260 --> 01:02:36,220 Okay, yeah. I want just the regular. You know, the bras, the panties, the garter 341 01:02:36,220 --> 01:02:37,220 belt, the whole thing. Black. 342 01:02:37,660 --> 01:02:39,220 Make sure she has black hose. 343 01:02:40,270 --> 01:02:44,330 And she's got to be able to turn me on. You know, like that's what they want. 344 01:02:45,130 --> 01:02:46,530 Okay, three o 'clock. 345 01:02:47,470 --> 01:02:48,750 Right. Thank you.